Delany, Don DeLillo, William Gibson, Harold Jaffe, Richard Kadrey, Marc Laidlaw, Mark Leyner, Joseph McElroy, Misha, Ted Mooney, Thomas Pynchon, Rudy Rucker, Lucius Shepard, Lewis Shiner, John Shirley, Bruce Sterling, William VollmanSelected Non Fiction contributors: Jean Baudrillard, Jacques Derrida, Joan Gordon, Veronica Hollinger, Fredric Jameson, Arthur Kroker and David Cook, Timothy Leary, Jean Fran ois Lyotard, Larry McCaffery, Brian McHale, Dave Porush, Bruce Sterling, Darko Suvin, Takayuki TatsumiĪNGEL SCENE: written and illustrated by Richard Kadrey Richard Kadrey, one of the few masters of cyberpunk, brings us into the world of the angels biologically engineered killing machines, created by the Men in Suits to be the ultimate assassins. Selected Fiction contributors: Kathy Acker, J. A rich opporunity for reading across genres, this anthology offers a new perspective on the evolution of postmodern culture and ultimately shows how deeply technological developments have influenced our vision and our art. It is precisely this concern, according to McCaffery, that has put science fiction, typically the province of technological art, at the forefront of creative explorations of our unique age.

What emerges most strikingly from the colloquy is a shared preoccupation with the force of technology in shaping modern life. Delany, critical commentary by some of the major theorists of postmodern art and culture Jacques Derrida, Fredric Jameson, Timothy Leary, Jean Fran ois Lyotard, and work by major practitioners of cyberpunk William Gibson, Rudy Rucker, John Shirley, Pat Cadigan, Bruce Sterling, Storming the Reality Studio reveals a fascinating ongoing dialog in contemporary culture. By bringing together original fiction by well known contemporary writers William Burroughs, Thomas Pynchon, Don DeLillo, Kathy Acker, J. Artificial intelligence, genetic engineering, multinational machinations, frenetic bursts of prose, collisions of style, celebrations of texture: although emerging largely from science fiction, these features of cyberpunk writing are, as this volume makes clear, integrally related to the aims and innovations of the literary avant garde. Cyberpunks are now among the shock troops of postmodernism, Larry McCaffery argues in Storming the Reality Studio, marshalling the resources of a fragmentary culture to create a startling new form. The term cyberpunk entered the literary landscape in 1984 to describe William Gibson’s pathbreaking novel Neuromancer.

Storming the Reality Studio: A Casebook of Cyberpunk & Postmodern Science Fiction

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